Reviews of Chaos Theory

Reviews

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from USA Today

"A Grisham-like thriller that shares elements with The Client and
The Street Lawyer but outshines both."
by Ann Prichard
(Read the full review here)

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from The New York Times

"Appealing...striking...[Krist] paints a complex picture of...the great racial divide."
by Christopher Lehmann-Haupt
(Read the full review here)

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from NPR's "Fresh Air"

"Superb...a winner...Chaos Theory stirs up real terror."
by Maureen Corrigan
(Read the full review here)

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from Salon

"A swift and sleek whoosh of adrenaline for those nights when you don't give a damn what time the alarm is set for in the morning... It's a thriller and it's thrilling, a rocketing and relentless literary carnival ride."
by Jonathan Miles
(Read the full review here)

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from The Chicago Tribune

"Harrowing…stunning…the riveting tale of a sickly city brought to its knees
by self-serving, immoral politicians."
by Fred Leebron

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from The Washington Post

"The traditional Washington novel is yielding to a different and far more interesting
depiction of life in this part of the world…. [Chaos Theory] can be read as a thriller, and as such it reads quite well, but it is also about larger subjects: the complex interaction between the city of Washington and the suburbs that surround it, the disarray that descended upon the city during the catastrophic mayoral regime of Marion Barry, the fragile balance of relations between blacks and whites…. But in the course of saying some things about the place in which we live, Krist is also in the business of entertainment, which he handles with brisk skill."
by Jonathan Yardley
(Read the full review here)

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from Publisher's Weekly

"Spinning a plausible situation into an extraordinary story while training a marksman's eye on character, Krist has conceived a sleek and thoughtful thriller set on the streets of Washington D.C.... Krist swiftly twists his white-knuckle story into a frenzied manhunt...Along the way, Krist shows his flair for portraying characters under extreme emotional pressure. Among his best here is Rourke's father, Graham, a man wracked by guilt about his wife's suicide and about his crumbling relationship with his son. Rourke and Monroe are sharply drawn naifs, who act tough but are really smart, resourceful middle-class kids who care about their friendship and their college futures. Their adolescent naivete provides a clean contrast with the complicated outlook of the adults in the story, ultimately commenting on the resiliency of youth."
(starred, lead review)

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from January Magazine

"Chaos Theory is taut and sharply written and after a while you forget what the edge of your seat even feels like."
by Linda Richards

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from The Cleveland Plain-Dealer

"Krist's writing is just great. He knows how to get into a character quickly and make you feel what's there."
by Nancy Connors

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from The Dallas Morning News

"Krist is a master...his characters are at once wry and vulnerable. The author is also not afraid of unexpected twists that run counter to the 'everything ends happy' conclusions so prevalent in thriller fiction these days."

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from The Star-Ledger (Newark)

"Excellent…exciting…the superiority of Krist comes down to good writing."

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from Kirkus Reviews

"Doubling the stakes of John Grisham's The Client, Krist plunges a pair of young heroes into peril that starts with a bang and ends with a bang-bang-bang...Krist works the parallel plot lines for nonstop action...And even though his nonstop activity would seem to forbid a break for anything deeper, Krist manages observations on strained parent/child relationships, difficult friendships, political subterfuge, guilt, loyalty, and sins of the past. Most readers will remember this wild ride, though, as a page-turner with new dangers and set-pieces every two minutes."

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