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Robert Ausura Writing Scripts, Speeches & Presentations |
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The key to success in these programs is believable dialogue. Many people are surprised at how artificial good dialog is. The anecdotal accounts of the Great Writers sitting in Parisian bistros and backwoods bars and recording the conversations they heard are probably true. But when they sat down to write, they wrote. They did not transcribe. Good dramatic dialog is as artificial as film, videotape and the stage. If it's not, it bores us all silly. We don't want fifteen minutes of the prattling of an old aunt. We want one minute of dialog that creates in our minds an image of fifteen. We don't want to hear every "well," "um," "yes," "no," and "gee gosh" that real people say. We want to hear the effect of all that verbal stumbling. Here's an example.
Dialog is one area where less is truly more, and where what seems not enough is often plenty. The writing of effective dialog--dialog that entertains, doesn't drag, and yet still says what it has to say--takes a good while to learn. For guidelines, I recommend the "Dialog" chapter of Oakley Hall's The Art & Craft of Novel Writing (Story Press, Cincinati, Ohio; 1989). Then read some Hemingway, Vonnegut, Fitzgerald, and Elmore Leonard. Back to top
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Copyright © 2001 Robert Ausura Last modified: January 31, 2001 |